The Bird Saviors
Intro
T h e B i r d S a v i o r s
A l s o b y W i l l i a m J . C o b b
The Fire Eaters
The White Tattoo
Goodnight, Texas
T h e B i r d S a v i o r s
William J. Cobb
U n b r i d l e d B o o k s
This is a work of fiction. The names, characters, places and incidents
are either the product of the author's imagination
or are used fictitiously, and any resemblance to
actual persons living or dead, business establishments,
events, or locales is entirely coincidental.
Unbridled Books
Copyright © 2012 by William J. Cobb
All rights reserved. This book, or parts thereof, may not be reproduced in
any form without permission.
Library of Congress Cataloging-in-Publication Data
Cobb, William J. (William James), 1957–
The bird saviors / William J. Cobb.
pages cm
ISBN 978-1-60953-070-9
1. Parent and child—Fiction. 2. Environmental degradation—
Fiction. 3. Southwestern States—Fiction. I. Title.
PS3553.O199B57 2012
813'.54—dc23
2011045575
1 3 5 7 9 10 8 6 4 2
b o o k d e s i g n b y s h · c v
First Printing
For Elizabeth & Lili
Pa r t O n e
The government killed more than 2.7 million "nuisance" animals last year, including starlings, troublemaking birds that destroy crops and contaminate livestock feed. Also killed were wild turkeys and chickens, black bears, coyotes and wolves. The animals were mainly killed because they threatened livestock, crops or people in airplanes. . . .
The largest number of animals killed— 2.3 million— were starlings. . . . Critics say the poison used also kills owls,
hawks, magpies, raccoons and cats.
—" 'Nuisance' Animals Killed in U.S. Program," New York Times, 11 September 2005,
Horses in Red Snow
L o r d G o d i s t a l k i n g a g a i n . H e d o e s love to hear himself speak. A graybeard loon, he sits hunched over the kitchen table, his arms sunburned, nose hooked, hair thin and wiry, ranting hoarse- voiced about sinners and socialists. Outside the foggy window Smoke Larks flutter liquid as living shadows to perch atop the woodshed. When they settle the morning sun backlights their black silhouettes like burnt figures on a woodcut.
Ruby shifts the baby girl in her lap and thinks of the birds, how they must be cold of a morning like this. She's seen twelve this week whole. She counts the birds and invents her own names. She knows people call them by another name, but she calls them Smoke Larks. Swirling in vast flocks in late winter, they look like smoke from a great fire, burnt souls twisting in the wind. Purple- black, dusky, and speckled, the short- tailed birds scatter among the twisted junipers in the backyard, pecking in the dry hay grass.
Ruby began counting all the birds two years before, when she noticed how quickly they seemed to be dwindling. They are disappearing and someone has to note this, to keep it in her mind if nowhere else. The going away of things has to be noted. Especially a thing as perfect as a bird, even the squawky Blackjacks, or an old Grief Bird with claws like voodoo earrings.
Only a handful of Smoke Larks came this winter, rare as snow. She remembers home- school years not so long ago when both snow and larks were common still and taken for granted. She remembers being trapped in the house and staring out the windows, watching the birds, wondering when she would go to school like normal children. And when she did, at age thirteen, she wasn't prepared for it. The smiles and touches. The looking at you and teasing, the telling you how funny you talk, how pretty you are. After years of harsh soap and chores and the warnings against vanity and foolishness. The wanting something from you, something unspeakable but familiar.
She remembers the Smoke Larks in her home- school years, outside her window, her untouchable friends. The cottonwoods in the gulch used to wear them like black leaves every February. Now more often than not the skies are clear and hateful, not a bird shadow or silhouette to be seen. Taken for granted are fires in the foothills and dust storms off the plains.
The world has gone wrong. They pay men to hunt and shoot birds. The fever has the city people spooked. They blame it on the birds, stupid stupid. It's a shame is what it is. Nothing to do but count to the last one. Ruby hasn't seen a Moon Bird in over a year, and Squeakies are just a flicker of what they used to be.
Baby girl Lila tugs at Ruby's nipple and puts her hand on her breast. Lord God says the world is Lila's to inherit and see through to the end. Ruby wants her to grow up in a world of birds and the beauty of spotted feathers. She worries that the last of the birds will be gone before Lila has a chance to recognize their leaving.
Things don't stay around forever.
People don't either. Like her mother. She's been gone for two weeks and Ruby can't take life without her. Life in this house. With its mouse scratchings and bacon grease and Book of Mormon on the table. The sense of Lord God breathing down your neck. Ruby's eyes well with tears as Lila's hand rests against the pale skin of her breast. The baby girl's eyelids blink as if in slow motion, her arms creased with fat wrinkles at the wrist, fingers splayed like the rays of a starfish.
Across the kitchen table Lord God is going on about how he needs to trim the toenails of his one good foot. And the danger of the bears. How in droughts like this they come down from the mountains. How you have to be careful. They could be out there, lurking behind the woodshed. They can smell bacon five miles away, he says, his voice raspy as that of a biblical prophet.
Ruby turns her face to her pancakes. She doesn't want to hear such nonsense. She doesn't feel right herself this morning. Her nose has been running and her cheeks feel hot and flushed. She fears the fever but doesn't dare say a word. She will pretend Lord God doesn't exist if for one second he will just shut up. He holds out a plate of bacon and eggs, urges her to eat. He has cooked their breakfast and the least she can do is enjoy it. She needs to put some meat on her bones, she does, and he has blessed the food especially for her.
She lifts her face and tells him Lila is almost finished feeding, she'll eat in a minute. She speaks in barely a whisper, stares out the window at the parched fields of prairie and high desert, the Sierra Mojada in the west turning pink with the sunrise, above it a wall of dark curdled clouds. Opposite the mountains comes the day's light casting its long morning shadows onto rabbit bush, sage, and bunchgrass.
Behind the shed the crooked wooden fence posts lean this way and that like tombstones on a wind- bitten hillside. Lord God's land is miles outside Pueblo, off Red Creek Road West. The edge of nowhere, its face to the hills and back to the town, true to his isolation- scenario mind- set. The fence is a last stand before the coyote howls of emptiness beyond.
Wind gusts make the power lines hiss and whistle. In the west the sky above the mountains looms russet and solid, an ash cloud of trouble coming. Like wet walls of the Red Sea parted and waiting for that moment to swallow up the world once again. The weather people don't know what to make of it. Snow and dust storms at once, a thing both strange and ordinary now as a sky without birds.
Lila falls asleep with the nipple in her mouth. Ruby does her best to tune out Lord God. She strokes her baby's cheek for a moment, heartbroken at what's in her own mind, the anguish she faces. She eases Lila into the wicker bassinet between the kitchen table and the woodstove. Before the stove she squats to open its black cast- iron door, adds a couple split pieces of aspen from the cardboard kindling box. A wisp of smoke belches out, the gusty wind backing it down t
he stovepipe chimney. The heat makes her face flush, a smoky tang sharp in her nose.
That's enough, says Lord God. Until this wind dies down it's a bother. Another gust and this house will be smoky as hell.
Ruby stands and refuses to look in Lord God's direction. She rinses plates and cups at the kitchen sink. Outside the window a pair of Grief Birds perch on the fence rail. These are bigger than crows, lonely, speaking in tongues of portent. The closest Grief to the house croaks and shakes its ruffled neck feathers like an African lion its mane. Lord God is asking her something, again, but she doesn't catch what he says. She has to concentrate to decipher the sounds that issue from his perpetually hoarse voice.
You aren't ready for the world, he says. Do you know what it's like to live in a Muslim house? I've seen it. I've fought in their streets. You leave the house without your face covered? They scar you with whips. You fall for a man not your husband? They stone you to death. It's a circle of shame there and they want to make us their slaves. I've seen it. I know. And now I'm returned to set right the scales of justice in this fallen, sinful world of Mammon.
He cuts a bite of pancake and waits for Ruby to lift her voice. She dries a plate and stacks it in the cupboard.
I've shouldered weapons among the heathens, he says. I've struggled with them close enough to smell the spices on their breath. I have tasted the ash of anger and have seen my leg lying in the street, blown clean from my body. And in this greatness I have been given the grace of a new leg and now I walk to preach the tongue of a righteous Lord.
Ruby squints at the portrait of Jesus on the wall opposite the kitchen table— his expression merciful and angelic, a tenderness in his eyes she has never seen in a living man. Beside him hangs a portrait of Joseph Smith, high cheekbones and narrow chin, eyes burning like a madman, full of fire and conviction. Lord God insists the two martyrs stand side by side, both sacrificed to teach the sinful and the righteous a lesson.
Ruby asks if he has heard anything from her mother.
Lord God chews, his face turned to the window, a slat of morning sun reflecting within his artificial eye. The glass orb glows golden, opaque. He closes his eyelids as if to savor the food. His face wrinkles with maniacal certainty and anguish, crease lines on his chin visible through the gray tangle of his beard. His lips are lost in the coarse hair, even his cheeks and neck covered, as if he is becoming a half- man, half- bear creature of legend.
Your mother is gone, he says. But she'll be back. She will see the error of her ways. It may take time is all.
Ruby finishes drying the dishes. She turns to find her baby girl awake now and watching, a slight smile on her lips. Lila has a perfectly round head. Her grandmother calls her Baby Lollipop with such affection that it melts Ruby's heart. And now she's gone and not here to help with Lila.
I miss her, says Ruby.
Lord God is quiet for a moment. He chews his toast. Finally he whispers, I do too.
You should beg her back, says Ruby.
Lord God rocks back in his chair, stares up at the ceiling.
Girl? Haven't I taught you right? Never beg. Never rely on anybody else.
This is different, she says. It's Mom we're talking about.
We get by just fine, don't we?
Ruby makes a funny face for Lila, crossing her eyes and opening her mouth wide. The baby girl waves her hands in the air and makes a sputtering sound. Say what you want but it's not the same, living here without Mom, answers Ruby. The house is cold.
It's what I've been telling you, says Lord God. The house is cold because you don't have a husband. And with a child of your own too.
I'm doing okay, she says.
What? With me taking care of her, you mean? When you're off studying uselessness?
Ruby dries the dishes, counting the Smoke Larks. Maybe I should quit school? she asks. Besides, we won't be here long anyways.
You're just stubborn. You know how to solve this problem, says Lord God. Marry that man. They say he's a good egg. And he's got more money than he knows what to do with.
Why? she asks. Why would I do such a thing?
We could drop by his pawnshop and have a nice chat. He's a good egg.
You're not listening to me.
It's not you who takes care of Ruby when you're in school, is it? You need to be cared for. And kept from the wickedness of the world.
Daddy, don't.
A wickedness you have already tasted. And have been stained by.
My baby is not a stain.
I know. I also know there is more to the story. I have seen the wickedness, he says. It is amongst us.
Ruby sighs. Half the time I don't know what you're talking about.
We must keep you from harm, for your own good, he says. For Lila's sake. You haven't seen the evilness, says Lord God. And I hope you never will.
I've seen a little. I've also met some good people out in the world. They're not as bad as you say they are.
Lord God frowns and rises from the table with a faint pneumatic hiss.
That's a fine kettle of fish, he croaks. Man comes home from war, from getting his body blown to hell and back for your sake, so all the fat can sit around and complain about everything. His wife leaves him. His child mocks him.
I'm not mocking, says Ruby. I don't want to marry a stranger. Is that so crazy?
Lila grabs a skein of Ruby's red hair in her fist and cries. Ruby puts a pacifier in her mouth and rocks her, one hand on her belly. The pacifier muffles the sound until she spits it out and cries harder, her face turning purple.
She shouldn't get gas after feeding, not on breast milk, says Lord God. It might be something you're eating. You're not eating too much red chili, are you? She'll get those spices through your blood.
Ruby carries Lila to the wooden rocking chair in the living room. The crying subsides as she rocks, until Lila only whimpers. From the kitchen comes the sound of the clink of silverware and china, Lord God putting away the dishes.
Ruby rocks and waits. She needs to get ready for school. That is what she should be doing. But she watches the kitchen door and waits. Aloud she says, Because you have spoken nonsense and envisioned lies, therefore I am indeed against you.
Lord God finishes clearing the table and stands in thought. He is out of work and has given up looking for more. He lives off disability but it's hardly a living. He preaches now at the Lamb of the Forsaken Fundamentalist Church of Latter- Day Saints. His congregation is mostly lost souls and the lonely, living hand to mouth. He drinks his coffee and surveys the empty expanse of his day before him.
He walks with a thump and hiss to the doorway of the living room, where he stands and watches Ruby coddle Lila. A child of mixed blood, misbegotten in the hardest of times. The Lord gives us choices and we don't always make the right one.
Your baby girl needs a father, he says. Any fool can see that. You're going to marry Page.
Not a man with two wives already.
I had a vision, says Lord God. The Lord spoke to me. He told me Page is a good man. Better than you know or have known.
Says you.
Says the Lord God Jesus Christ. I'm right. And you know it.
Ruby takes Lila to her bedroom, kissing her forehead as she carries her propped against her hip. She changes Lila's diaper and finishes getting ready for school. She listens to Lord God talking to himself in the kitchen down the hall. It has become a habit with him, a kind of running commentary of his thoughts, spoken aloud in a whispery, intense tone. Sometimes he seems to be talking to her mother now that she's gone, arguing with her, firing back at her female sass. She hears him say, Is that what you'd have me do, Juliet? Is that what you want? Just tell me and I'll make it so.
Ruby slips a gauze face mask around her neck and arranges it at her throat like a white choker necklace. She can't stand the thing but school regulations require it, everyone insane about germs. With the fever that has swept the country, wearing face masks is now mandatory in public places.
Two years ago it was the fever snuck up like an ugly rumor and nobody believed it at first. Soon you saw people fainting at the supermarket. Later a shopping mall closed after a rent- a- cop discovered a Pakistani woman two days dead in the parking lot. They had to close down the unemployment offices to prevent the contagion in line. People out of work and sick too made it insult to injury.
In school that term Ruby studied Native American customs and learned that they had called it the Fever Moon. Somehow it made more sense than anything you heard from the talking heads on the screen. Doctors saying they have no cure but what can you do anyway? They don't know. They're making it all up. They like to hear themselves talk, to look important. They don't know when it will end. When the next thing will begin. They blame the birds.